Nicolas Vuillaume

A French violoncello by Nicolas Vuillaume, Paris 1842 after the 1711 "Duport" Stradivari

Nicolas Vuillaume was the younger brother of Jean-Baptiste Vuillaume, who worked in the Paris workshop from 1832 to 1842 before returning to Mirecourt in order to oversee production of Vuillaume’s “Stentor” and “St Cécile” models. His Paris instruments are very…


Atelier Meteney

Handmade violoncello by the Atelier Meteney, Brussels. £8,000

We have been looking for the ideal professional ‘second’ cello on the market for under £5000 and instruments by Les Ateliers de la Dyle is the best cello we’ve found for the price, making it a fabulous intermediate instrument to take students all the way through grade 8, and into university or amateur orchestras.


Hippolyte Caussin

A Fine French Violoncello by Hippolyte Caussin, Neufchatel, circa 1860

The Caussin workshop specialised in producing antiqued instruments for the London and Paris trade, but in the early years their instruments were made to extremely high quality, and the work of the family – Francois-Nicolas and Hippolyte are highly revered,…


Lockey Hill

A fine English violoncello by Lockey Hill, London circa 1790

Lockey Hill had a prolific and varied career. This example shows enormous influence from his father, Joseph making it one of the most attractive models to come from his workshop, with especially elegant Amati-styling around the soundholes. An excellent and…


Kai-Thomas Roth

A fine contemporary violoncello after Matteo Goffriller

Kai’s violoncello has enjoyed a distinguished professional career over the last decade, and was recently replaced by it’s first owner with a Vuillaume: Higher praise is difficult to come by. This copy of a Venetian cello by Matteo Goffriller has…


Andrew Sutherland

A fine contemporary violoncello after Domenico Montagnana

Andrew copied a cut-down original by the might Venetian maker, Domenico Montagnana. The narrowed proportions provide an extremely successful model which is reflected in this copy. A great looking and great sounding instrument with great depth and reserves of sound.


Ludwig Neuner

A fine German violoncello by Ludwig Neuner, Berlin, 1875

Ludwig Neuner’s apprenticeship took him to the workshops of Engleder in Munich, Nemessanyi in Budapest and finally Gabriel Lembock in Vienna. He then spent several years in Paris working with Jean-Baptiste Vuillaume before establishing his business in Berlin. This exceptional violoncello exhibits an extraordinarily close relationship to the standards of Vuillaume’s own production. Modelled after a Stradivari cello of about 1710, it is one of the finest nineteenth-century German cellos I have either seen or heard.