Benjamin Hebbert Violins

NEWS

ROBERT HORNE

The earliest dated American stringed instrument. Robert Horne was active on both sides of the Atlantic Ocean during different times in his career as an instrument maker and wholesaler, however this instrument labelled “Made by Rob[er]t Horne, New York, 1757” is made of American woods, confirming everything that is said on the label. Perhaps more interesting is that it is a viola and not a violin, because this implies the intention of chamber music performance at the time it was

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NICOLO PAGANINI

George Patten’s preparatory work, 1832. George Patten’s 1832 portrait was remarked upon by Achille Paganini as the most lifelike depiction of his father. The portrait remained the property of the artist all his life before being purchased by W.E. Hill & Sons, and Paganini was so taken with it that he begged a copy that now survives in Genoa.When this came up I was surprised to see that other derivative copies did not exist. There are a number of questions

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WILLIAM VOLLER

Bronze statuette of Antonio Stradivari, London, 1894. The brothers William, Alfred and Charles Voller were all capable artists beyond their work as violin makers, and we have watercolour paintings in our archives by each of the three brothers, however William was the most capable artist. A number of still-life paintings, invariably of violin-related subjects survive by him, and as a sculptor he produced a portrait bust in bronze of the cellist Alfredo Piatti and another of Stradivari based on the

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JACOB STAINER

A tenor viola, Absam, 1660. The Metropolitan Museum of Art has three Stradivari violins, good cellos but hitherto no violas of any note to form a string quartet for performance within the museum setting. By finding a suitable viola to fill their requirement it has transformed the musical potential of their playing collection. Jacob Stainer is the most significant violin maker working outside of Italy contemporaneous to the golden-period of Cremonese violin making. This is one of the finest and

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The Magic of the Silver Swan

The Bowes Museum In 2023 the Bowes Museum held a landmark exhibition centred around their most iconic object, the life-sized automaton silver swan made by the “ingenious mechanick” John Joseph Merlin. His inventiveness was legendary in the late eighteenth-century, and directly inspired Charles Babbage’s invention of the ‘difference engine’ celebrated as the first computer. Amongst Merlin’s other inventions were the roller skates, which he debuted whilst playing a violin of his own making, ending with such famously predictable results that

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RARE CHANCE TO TRY OUT A MASTERPIECE

It’s been a little while since I’ve been directly involved in a public sale of a Stradivari, in fact not since I was working with Kerry Keane at Christie’s in 2007. When I did, it got center-page coverage in the New York Times, the International Herald Tribune and various related American papers. The violin was the 1729 Ex-Murray Lambert. A beautiful and sensational late-period Strad. Read the full article by Anthony Ramirez here: rare chance to try out a masterpiece.

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Newark School of Violin Making British Violin Exhibit www.hebberts.com

BRITISH VIOLIN EXHIBITION, NEWARK 2015

In 2015 I was delighted to be asked to curate an exhibition of early British violin making as part of the 20th Anniversary celebrations of the British Violin Making Association. Instruments came from esteemed colleagues, Geoff Denyer, Charles Beare and elsewhere, but somehow I ended up bringing more than half of the instruments myself, with examples of Urquhart, Pamphilon, Barak Norman, Nathaniel Cross, Daniel Parker. The exhibition lasted over the Luthery weekend, with special time put aside for the students

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THE INVENTION OF TRADITION: THE PRICE OF STRADIVARI VIOLINS

Over ten years ago I penned a long essay about the invention of tradition and the price of Stradivari violins. I’m fascinated about how the market works and how prices have developed over time and think its important to go as far back to the beginning in order to gather context for the modern market. The purpose of the article was entirely academic for one of innumerable exams at Oxford University, and for that reason it goes into some things

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SCRAPHEAP ORCHESTRA

Some life experiences are unforgettable, especially those that your colleagues and clients will never let you forget. One of these was a lecture I gave at the British Violin Maker’s Conference at Dartington the morning after the workshop staff from Guivier’s had made sure I had far, far too much to drink. The other (at least as far as I remember – or am willing to admit) was my stint as a reality television star with Charlie Hazlewood, the BBC

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